Her work, through its sustained engagement with memory and the possibilities of the future, stands as a testament to the enduring human urge to resist erasure.

Curating should be an adaptive process rather than a thesis to prove, Solveig Øvstebø, director of the Astrup Fearnley Museum of Modern Art, tells Observer.

In the heart of Lagos, the streets pulse with the restless energy of a city that never truly sleeps. Neon lights bounce off ...