Ragnar Kjartansson, “Bangemand (Scaredman),” a live performance as part of the exhibition An Epic Waste of Love and Understanding at the Louisiana Museum of Modern Art in Denmark (all photos AX ...

Like the great silent comedians Buster Keaton and Charlie Chaplin, Jacques Tati made his elaborate sight gags look as easy as tying your shoe. Yet unlike Keaton and Chaplin, Tati wasn't concerned with ...

Is it possible to make a compelling film without a single likeable character? It’s a proposition that Jesse Armstrong, acclaimed creator of TV shows like Peep Show and Succession, tests in his feature ...

This morning on The Rhode Show we were happy to welcome back Author G. Wayne Miller as he discussed his 21st book, “Unfit to Print: A Modern Media Satire”. For ...

Spinal Tap is back. But 41 years on, the original is still one of the sharpest and most influential comedies ever made.

In Radu Jude’s latest satire, the bracing “Do Not Expect Too Much From the End of the World,” the Romanian writer-director assaults the viewer with many of modern life’s indignities: gridlocked ...

The term "Stepford Wife" is one currently embedded into pop culture and modern society. The archetype is usually perceived as a vapid, 1950s-esque housewife and stay-at-home mother with a cocktail ...

“Why you can trust Digital Trends – We have a 20-year history of testing, reviewing, and rating products, services and apps to help you make a sound buying decision. Find out more about how we test ...

The 'Pitch Perfect' scene-stealer's down under directing debut taps into the same unapologetic musical-comedy sensibility that got the 'Bogan Pride' creator noticed in the first place. It’s ...

Cannes: A submissive pianist is hired to write propaganda music in Nadav Lapid’s latest — and most scorching — portrait of Israeli self-identity. The vituperative genius of his cinema is epitomized by ...

According to tradition, debutante balls are designed to introduce young ladies to polite society. But in Australian comedy star Rebel Wilson’s rowdy directorial debut, “The Deb,” there isn’t really ...