Forgiving critics and moviegoers often call films without articulate points or well-defined characters “poems.” This usually affixes to work by Terrence Malick and will surely be a tag for the ...

Matt Goldberg has been an editor with Collider since 2007. As the site's Chief Film Critic, he has authored hundreds of reviews and covered major film festivals including the Toronto International ...

In 2004, Shane Carruth wowed Sundance Film Festival audiences with his heady time travel flick Primer, which he made with no prior filmmaking experience and shot (on film!) for a budget of around ...

Amy Seimetz and Shane Carruth hide from -- something -- in 'Upstream Color.' It's a movie that's been called both "utterly perplexing" and "transcendent." "Head-scratching" and "beautiful." ...

Let your mind wander... After premiering at the Sundance Film Festival in January, the second film from Primer director Shane Carruth, an abstract drug drama titled Upstream Color, will be hitting ...

Premiering at the Sundance Film Festival a few months ago, Primer writer-director Shane Carruth delivered another divisive work of science-fiction with the mesmerizing Upstream Color. Having recently ...

“Upstream Color” is one of the year’s most intriguing films. I don’t normally review films that are out on video or On Demand, but I’m going to make an exception for “Upstream Color.” This is a film ...

Shane Carruth is more than happy to talk about his remarkable new film “Upstream Color” in substantial detail, poring over its staggered themes and elliptical construction with a discursive chattiness ...

As mystifying as his 2004 sci-fier, "Primer," albeit for entirely different reasons, Shane Carruth's "Upstream Color" is a stimulating and hypnotic piece of experimental filmmaking. “Primer” fans and ...

Filmmaker Shane Carruth’s micro-budget breakthrough “Primer” was a dense, realistic time travel drama of the sort nobody had seen before. Judging by his long-awaited second feature, “Upstream Color,” ...

Matt Goldberg has been an editor with Collider since 2007. As the site's Chief Film Critic, he has authored hundreds of reviews and covered major film festivals including the Toronto International ...